Difference between revisions of "Manage System:Custom-Filters"
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:<u><b>SUBSONIK FILTER</b></u> <small><i>(for <b>non-Exakt systems</b>. I.e. Passive only channels)</i></small> | :<u><b>SUBSONIK FILTER</b></u> <small><i>(for <b>non-Exakt systems</b>. I.e. Passive only channels)</i></small> | ||
::{{BlueBox | ADD}}: Allows you to add a subsonic filter on the channels selected. | ::{{BlueBox | ADD}}: Allows you to add a subsonic filter on the channels selected. | ||
| − | ::<b>Frequency (Hz)</b>: Define the | + | ::<b>Frequency (Hz)</b>: Define the cut-off for this filter. |
<br> | <br> | ||
| − | :<b>RESET TO SYSTEM</b>: Load | + | :<b>RESET TO SYSTEM</b>: Load currently applied Custom filters values for further fine adjustment.<br> |
:<b>SET ALL OFF</b>: Disable all Custom Filters | :<b>SET ALL OFF</b>: Disable all Custom Filters | ||
<b>Note</b> | <b>Note</b> | ||
:* The Gain and frequency values can be directly entered using the keyboard by clicking on the respective number value. | :* The Gain and frequency values can be directly entered using the keyboard by clicking on the respective number value. | ||
| − | :* The <b>Sub-sonic filter</b> brings immense benefits to midrange performance and improves the overall musicality of the system. By reducing the cone movement at inaudibly low frequencies the bass/mid drive unit retains better linearity through the midrange. The filter | + | :* The <b>Sub-sonic filter</b> brings immense benefits to midrange performance and improves the overall musicality of the system. By reducing the cone movement at inaudibly low frequencies, the bass/mid-drive unit retains better linearity through the midrange. The filter cut-off should typically be set quite low; about <b>7-12 Hz</b> for a large loudspeaker, and <b>20-30 Hz</b> for a small stand-mount speaker. |
| − | ::Do not use a bass heavy track to set this subsonic filter up, you may find some recordings have studio noise that adds studio noise, inaudibly low frequency, to the recording. E.g Bob Dylon's - Subterranean Homesick Blues. | + | ::Do not use a bass heavy track to set this subsonic filter up, you may find some recordings have studio noise that adds studio noise, inaudibly low frequency, to the recording. E.g. Bob Dylon's - Subterranean Homesick Blues. |
Revision as of 11:27, 17 November 2023
The Bass & treble shelf options have been introduced in to Manage systems in the ADVANCED tab (bottom of ADVANCED page). This will allow you to trim the music playback and add/attenuate the Bass and/or treble signals.
This can be used with or without Space Optimisation.
The graph shows you the frequency response graph with showing:
- The Gain -5dB to +5dB, in 1dB steps,
- versus
- The frequency 100=1Hz, 101=10Hz, 102=100Hz, 103=1kHz, 104=10kHz.
- Channel
- Front Left + Front Right : by default this is set for these channels, but click to view any other applicable channels in the system.
- Show System filters: Show any current filters applied.
- APPLY TO SYSTEM: Upload change to Linn DS/DSM.
- BASS SHELF (For all passive and/or Exakt speakers/Exaktbox channels)
- Frequency (Hz): The crossover frequency of the Bass shelf.
- Gain (dB): The gain, or attenuation, for this bass crossover point.
- TREBLE SHELF (For all passive and/or Exakt speakers/Exaktbox channels)
- Frequency (Hz): The crossover frequency of the Treble shelf.
- Gain (dB): The gain, or attenuation, for this Treble crossover point.
- SUBSONIK FILTER (for non-Exakt systems. I.e. Passive only channels)
- ADD: Allows you to add a subsonic filter on the channels selected.
- Frequency (Hz): Define the cut-off for this filter.
- RESET TO SYSTEM: Load currently applied Custom filters values for further fine adjustment.
- SET ALL OFF: Disable all Custom Filters
Note
- The Gain and frequency values can be directly entered using the keyboard by clicking on the respective number value.
- The Sub-sonic filter brings immense benefits to midrange performance and improves the overall musicality of the system. By reducing the cone movement at inaudibly low frequencies, the bass/mid-drive unit retains better linearity through the midrange. The filter cut-off should typically be set quite low; about 7-12 Hz for a large loudspeaker, and 20-30 Hz for a small stand-mount speaker.
- Do not use a bass heavy track to set this subsonic filter up, you may find some recordings have studio noise that adds studio noise, inaudibly low frequency, to the recording. E.g. Bob Dylon's - Subterranean Homesick Blues.
